Media and Performance by Raven Davis
The Mmenwenmad series is a collection of photographs taken by artist, Raven Davis.
Translated, To Save For Later, this series of works is rooted in acknowledging our
physical bodies, and lived experience as a form of incalculable, non-written,
intergenerational documentation. Through movement, sound, and the juxtaposition to
land, body, the artist engages with a common archiving form that cannot contain, the
continuum of one's lived experience, or intimate relationships with the land.
The artist explores transgenerational epigenetic inheritance from their mother, her life,
relationship to land and history. How that has impacted, and evolved the artist's ways of
knowing. Witnessing how others choose to engage with intellectual Indigenous
knowledge, trauma, disability, transness, birth, death and the impact of human
existence. What has been left out? In what ways do we limit ourselves, our capacities to
experience, learn and evolve as a result of colonial interference and domestication?
Contesting oppressive forms of curating and archiving, and questioning the value others
place on our knowledge, experiences and histories, the artist imagines a system of
archival that’s rooted in storytelling, movement, sound and non-written/verbal
communication.
Drawing from the artists’ previous body of works with monuments, they’ve created
temporary tributes honouring the water, land, sky world, and the human form they were
gifted. The artist self-documents their body, small and centered in each photograph.
Capturing the vastness of the land, water, in juxtaposition to their body. Examining what
we have yet to learn about the land/water/universe) , our bodies and our history. What
has been deemed “worthy” of saving, and what has been lost, and what has been
intentionally left out.